The aliens have landed! Green skin, crazy hair and see-through dresses... Yes, it's London Fashion Week again

Design duo FYODOR GOLAN opened fashion week with a bang this afternoon as they showed an outlandish collection modelled by girls with green glittery skin, tribal-style piercings and hair slicked into intricate designs.
The pair, Israeli-born Golan Frydman and Latvian Fyodor Podgorny, made waves with their innovative catwalk show at London Fashion Week this afternoon, which they said was inspired by 'Russian peasants, tzars and insects'.
The young duo are firmly on their way up, after last year having been awarded the Fashion Fringe prize, judged by Claudia Schiffer and Roland Mouret among others.

Mars landing: Fyodor Golan pushed fashion boundaries with his structural, outlandish show today

Revealing: Fyodor Golan pushed fashion boundaries with their structural, outlandish show today

Revealing: Fyodor Golan's autumn/winter show saw models in loose-knit dresses with intricate hairstyles, tribal jewellery

Models had intricate hair and detailing inspired by Russian peasants and tzars

Revealing: The autumn/winter show saw the label introduce knitwear for the first time (what no thermals?)

Impressive debut: Fyodor Golan, who won last year's Fashion Fringe prize, is showing on schedule for the first time this year

Striking: The design pair say the FYODOR GOLAN woman is 'expressive, emotional and sexual'

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Luxe: Feathers, jewel green eye make up - and that clever hairstyling again

Modern day tzarinas: Inspired by the juxtaposition between Russian royalty and peasants, the collection featured luxury detailing, sharp tailoring and sculptural shapes, with the traditional heavy jewellery of Russian's peasant population

Statement: Deep red lipstick and vivid green eyebrows made for a dramatic look for one model, while another is covered in glitter to represent the protective shell of an insect

ELSEWHERE AT LONDON FASHION WEEK TODAY...

CORRIE NIELSEN

Dramatic: American-born designer Corrie Nielsen worked with Vivienne Westwood from 2000 until 2006, and Westwood's strong aesthetic can be detected in Nielsen's work